The pattern
A familiar geometry, quietly worked into the cabin.

pattern-construction.webpWhat it is
An eight-pointed star lattice — the khatam of Islamic geometry — drawn from two overlaid squares and tiled without a seam. It draws on a long tradition of geometric ornament in regional architecture. The QAF treatment is decorative and carries no sacred text.
Where it lives
Perforated into the seat centres at 1.2 mm, where it lets air through. Embossed into the door cards, where the hand finds it before the eye. Cut into the brass speaker grilles. Woven into the floor mats. Cast into the sill plate's edge. And, on the Emerald, laser-cut into the mashrabiya sunshade of the rear glass.
Six applications

pattern-seat.webpThe seat
Perforated at 1.2 mm, where it lets air through.

pattern-doorcard.webpThe door card
Embossed, where the hand finds it first.

pattern-grille.webpThe grille
Cut in brass, over the speaker.

pattern-mat.webpThe mat
Woven, underfoot.

pattern-sill-edge.webpThe sill
Cast into the plate's edge.

pattern-sunshade.webpThe sunshade
Laser-cut into the Emerald's rear glass.
What it never does
Its proposed home is within the cabin, away from exterior marks and written text. It is a pattern, drawn with care, in the places a guest touches.
The monogram
The letter qāf in square Kufic — the geometric script of the region's brickwork — as a 12 × 12 grid, used on the headrest of a commission when the owner has no crest of their own.

pattern-monogram.webpOne geometry. Many ways to feel it.
Ask to see it in leather, in brass and in wool.

